photography

Explore the World From a New Lens with Nature Photography

Posted on by Riley Bell

Each year, on June 15, we celebrate Nature Photography Day. This globally recognized day was designated by the North American Nature Photography Association (NANPA) to embrace the value of nature and encourage the enjoyment of nature photography.

Photography helps us explore the natural world and advance conservation efforts to protect plants, nature, and wildlife both locally and globally. One of the great things about Nature Photography Day is that you can participate wherever you are, with whatever equipment you have—nature is all around us!

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Urs Albrecht Winning Photographer of the Promega AG Art + Science Competition

Posted on by Nana Diarra dit Konté

The Albrecht Group in the Department of Biology at the University of Fribourg, investigates circadian rhythms in biological systems. Recently Urs Albrecht submitted a photo of baby squid for the Swiss Art + Science Competition sponsored by Promega AG. We have covered squid communication in a separate blog. Here we talk to him about the photo and the inspiration behind it.

How did you become interested in squids as an experimental model?

headshot of Dr. Urs Albrecht
Dr. Urs Albrecht

My lab works mainly with mice. Other professors work with different organisms such as Drosophila, C. elegans, plants, and yeast at our university. One of them, Simon Sprecher, became interested in marine biology and started a course for students. I immediately thought that’s a great idea because it is something different, and few actually look deeply into the biology of marine organisms. The literature on squids is scarce and old, and they are challenging to keep in lab conditions. Yet, my colleague ordered Loligo vulgaris eggs from Villefranche Sur Mer in France and started establishing them to hatch and grow in Fribourg. He was successful. The next step was setting up experimentation. However, squids have brains, and to carry out experiments with them, we needed to apply for authorization from the Swiss Government. I helped out, but it was challenging because there were no standards and regulations, as nobody works on these animals in Switzerland. Now we are interested in studying the communication between squids. It is easy to observe how they change color, because they are transparent. The change in color is related to their stress level and mood.

What went into taking the image “One Out”?

I’ve been a hobby photographer since I am ten years old. So when I went to my colleague’s lab and looked at the baby squids, I said, “Ohh, they are beautiful.” They looked really stunning, and some of them started changing colors in front of me. I thought that was a fascinating behavior, and I wanted to capture that.

One Out by Urhs Albrect Baby Squid communicating with color

Baby squids are transparent and colorful. I had to think about how I could best picture them. I decided to have them in a Petri dish and put them on a stand with lighting coming from below on a black background. I made several images. On one of them, there was this situation where one of the squids was changing color. It was very different from all the others. It immediately came to my mind that something was happening. They were communicating.

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Living in the Anthropocene: A Photojournalist’s Perspective

Posted on by Julia Nepper

Dennis Dimick has focused his journalism career on the collision between human aspiration and the planet. The son of fisheries biologists, Dimick grew up on a farm in Oregon’s Willamette Valley, and he holds degrees in agriculture and agricultural journalism from Oregon State University and the University of Wisconsin-Madison. In his 35 years at National Geographic, he served for over a decade as the magazine’s environment editor, and guided major projects on climate change, energy, freshwater, population, and food security. Dimick is co-founder of Eyes on Earth, a project meant to inspire a new generation of environmental photographers.

As a young man, Dimick witnessed firsthand the price of progress when his family’s farm was cut in half by the construction of an interstate beltway. This invasion of their farm, in addition to the clear-cut logging of nearby forests where Dimick had spent his youth, combined to sensitize him to the profound impacts of human progress on the Earth. Early photography experience and his personal connection to the effects of human progress led to a life and career spent combining these two dimensions.

Clearcut Forest in Oregon's Cascase Mountains in April, 2016
Clear-cut timber harvest in Oregon’s Cascade Mountains south of Eugene in 2016, one of a series of images for an ongoing project documenting the Anthropocene landscape across North America as seen from passenger airplanes. Photo: Dennis Dimick

In anticipation of his participation in the 2018 Wisconsin Science Festival, I asked Mr. Dimick some questions about photojournalism, and what it’s like documenting the human impact on the environment. Some of his answers have been slightly edited for clarity.

What does it take to be a good environmental photographer?

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