This blog was written in collaboration with our partners at Promega GmbH.
Scientists are comfortable speaking to people who know their field. Speaking to scientists outside of their field of expertise can become a little more challenging, and many find the greatest challenge of all is speaking to people who do not have a science background and are hearing about a scientific concept for the first time, such as journalists in the popular media. What can scientists and journalists do to make the most of the interface of science and journalism?
The importance of the interface between science and journalism is increasingly visible with scientific topics appearing on the national news more frequently due to COVID-19, climate change, and diseases like cancer. So, where can journalists go to learn best practices for interviewing scientists and writing about scientific topics? Promega GmbH offers a platform in which scientists and journalists come together and learn from each other in a constructive exchange. In this workshop setting, scientists speak about a certain topic, and journalists from all kinds of backgrounds can ask questions. When the journalist authors an article about what they learned in that workshop, both sides benefit. The scientists’ work becomes visible, and society learns more about scientific research and discovery that can help all of us to better understand the world and contribute to a brighter future.
Here we describe several common themes that have emerged from these science journalism workshops that may help you the next time you find yourself trying to explain your research to someone unfamiliar with your field.
Dennis Dimick has focused his journalism career on the collision between human aspiration and the planet. The son of fisheries biologists, Dimick grew up on a farm in Oregon’s Willamette Valley, and he holds degrees in agriculture and agricultural journalism from Oregon State University and the University of Wisconsin-Madison. In his 35 years at National Geographic, he served for over a decade as the magazine’s environment editor, and guided major projects on climate change, energy, freshwater, population, and food security. Dimick is co-founder of Eyes on Earth, a project meant to inspire a new generation of environmental photographers.
As a young man, Dimick witnessed firsthand the price of progress when his family’s farm was cut in half by the construction of an interstate beltway. This invasion of their farm, in addition to the clear-cut logging of nearby forests where Dimick had spent his youth, combined to sensitize him to the profound impacts of human progress on the Earth. Early photography experience and his personal connection to the effects of human progress led to a life and career spent combining these two dimensions.
In anticipation of hisparticipation in the 2018 Wisconsin Science Festival, I asked Mr. Dimick some questions about photojournalism, and what it’s like documenting the human impact on the environment. Some of his answers have been slightly edited for clarity.
When this blog goes live, I’ll be on my way from Chicago, IL, to Raleigh, North Carolina, for Science Online 2013. (Okay I lied, we moved the blog live early…soon I’ll be on my way from Chicago to Raleigh.)
Last year was my first experience with Science Online, the unconference that brings together scientists, science writers, journalists, teachers, and students of science from the far reaches of cyberspace for face-to-face conversations about science communications, science, statistics and all sorts of topics.
How do you prepare for an unconference that sucks up bandwidth like a group of nine-year-olds devour Halloween candy? You bring lots of electronic gadgets and their chargers. You scope out your hotel room for electric sockets, immediately upon entering. You also bring your watercolor pencils or markers for any “science scribing” you may be doing, because Science Online is a tech conference that blends science with art beautifully, and Perrin Ireland will be back leading a sketch noting workshop and capturing many of the sessions as a “science scribe”. Her workshop was one of my favorites last year, and sketch noting is something that I have applied several times over to my work at Promega.
You bring comfortable shoes and clothes, because this is a meeting where you put ideas to work, and conversations require energy.
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