If I close my eyes, I can just conjure a hazy vision of the copy of Grimm’s Fairy Tales that I had as a child. It was a large, hardcover book, with a pen and watercolor painting of browns and yellow-oranges serving as the cover art. The top right corner of the book was worn, with layers of cardboard poking out from the frayed cover.
My mom’s favorite story of the collection, and the one that has stuck with me as well, was “The Bremen Town Musicians” (The Musicians of Bremen). In his notes on this story, (in Fairy Tales from the Brothers Grimm: A New English Version ) Philip Pullman comments “When a tale is shaped so well that the line of the narrative seems to have been able to take no other path, and to have touched every important event in making for its end, one can only bow with respect for the teller.”
According to Pullman “The Musicians of Bremen” is a perfectly crafted story. Actually, with Grimm, we have a collection of amazingly crafted stories. Drawing on my experience from a ScienceOnline 2013 workshop led by David Dobbs and Maryn McKenna describing what science writers can learn from genre writing, I began to wonder: Can a writer of science stories can learn something from the Brother’s Grimm and their latest curator, Philip Pullman?
The answer is “yes”, and here are a few of the lessons I learned: Continue reading