Science in the Service of Art

Three artists who use science as their starting point.

Galapagos Rice-Rat from 'The Zoology of the Voyage of H.M.S. Beagle'. This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1923.
Galapagos Rice-Rat from ‘The Zoology of the Voyage of H.M.S. Beagle’ This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1923.

My recent blog conversation (blogversation?) with Michele about the book The Where, The Why and The How stirred me up to think some more about the topic of science-flavored art. That book was full of delightful examples of artists using science as their inspiration; however no matter the topic or style of art, the illustrations never strayed from _illustrating_ the science they referenced. Some were more fanciful than others, but none questioned their basic intent.

Now, in literature there’s an entire genre dedicated to “science flavored” writing that ultimately doesn’t serve to illustrate any actual science concepts. I’m speaking of Science Fiction, of course, and while some early entries in the SF canon erred on the side of scientific accuracy, later practitioners of the genre took great liberties with the science, always ensuring that it served their literary goal and not vice versa. I was raised on a steady diet of Stanisław Lem books, and probably as a result tend not to demand much realism from my fiction.

On thinking about it, I’m rather surprised that the same is in general not true of art. Continue reading “Science in the Service of Art”